Two cars suspended at the instant of collision, drivers thrown through the windscreens and entangled mid-air amid glass shards, on black.

Life-scale virtual sculpture

Encounter

The instant two cars collide—drivers thrown from their seats and entangled mid-air—held in space and revealed through augmented reality.

David Van Eyssen20248.75m long
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“I wanted to make a piece that would defy gravity, and have both mass and weightlessness. Real and imagined at the same time.”

David Van Eyssen
Encounter  —  the sculpture, turning beneath its ellipse of glass

The work

Encounter is a life-scale virtual sculpture that captures a single instant: the moment two cars collide. Their drivers are hurled through the windscreens and suspended above the wreckage, arms and bodies entangled. Spinning glass shards and mirrored spheres hang in the air around them, reflecting the room.

From one angle the two figures—one female, one male—are locked in an embrace. From another, the man appears to be holding only himself. Both have serene, closed eyes: dreaming, or in rapture. The work hovers above the gallery floor, seen only through augmented-reality devices, with the brutal sound of a real crash. Outside, one car’s rear protrudes through the gallery window into the street.

The two drivers rebuilt as a single luminous orange photogrammetric wireframe, entangled and falling together mid-air, on black.
Figures In Flight (And Falling)  —  the two drivers, scanned and stripped to a single wireframe

“The crash is visceral and hits you hard. The flying glass looks sharp enough to cut you… The suspended embrace is touching, and for a digital work it is amazingly human and humane.”

Dr. Michael Petry  —  catalogue essay, MOCA London
The two drivers held in a close embrace, eyes closed, amid mirrored spheres and glass shards on black.
The embrace  —  the suspended drivers, held in the moment of impact

The work

Specifications

Title
Encounter
Artist
David Van Eyssen
Year
2024
Medium
Life-scale virtual sculpture3D scanning, photogrammetry and animation — viewed in augmented reality, with sound
Dimensions
Over 26 feet long  ·  8.75m × 2.65m × 3.38m
Viewing
Augmented-reality devicesGeolocated to the gallery; the sculpture hovers above the floor and can only be seen on site.

Related work  —  Mirror Mirror

A Slim Volume of Poetry

Reflection runs throughout Van Eyssen’s work. For A Slim Volume of Poetry In No Particular Order, he installed and broke large mirrors across Los Angeles and photographed himself within them—the figure half-hidden, the city fractured and reversed in the glass. Two of these works appear in Dr. Michael Petry’s Mirror Mirror (Thames & Hudson, 2024).

The same search—for a figure held inside the glass—runs through Encounter, whose mirrored spheres already carry the room. It enters the sculpture itself in the second realisation: the Mirror Version, shown in Los Angeles, sets a mirror at one end of the crash and doubles it.

A night scene fractured and reversed in a broken mirror, a neon sign reflected back to front, from Van Eyssen's mirror works.
A Slim Volume of Poetry In No Particular Order, Pt. III  —  from Mirror Mirror, Thames & Hudson, 2024  ·  tap to enlarge

Two installations

Encounter, realised twice

The two drivers embracing mid-air amid mirrored spheres, in augmented reality at MOCA London.
i.

Encounter

MOCA London  —  2024

The London opening →
The wreck of the Mirror Version suspended above the floor, seen in augmented reality in Los Angeles.
ii.

Encounter (Mirror Version)

Los Angeles  —  2025

The Los Angeles showings →